Works on paper

For most of this time, botanical illustration was my primary focus. However, in 2013 during an artist trip to Gallipoli, I began documenting objects other than natural history subjects.

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I followed the same process that I used with botanical illustration; accuracy in size and colour on archival watercolour paper and, less frequently, vellum.

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My love of natural history endures however, as my art practice evolves, I find myself working outside the strict parameters of scientific illustration.

Drawing is the foundation of all my artwork. Today, I use a range of media to achieve my goals.